Super Simple Songs® and Super Simple Learning® are registered trademarks of Super Simple Learning, Inc. Like this song? Check out our award-winning collection of CDs, DVDs, books, and more atįalling, falling, falling, falling, falling,įalling, falling, falling, falling.falling on my head.įalling, falling, falling, falling.falling on my nose.įalling, falling, falling, falling.falling in my hand.
Get FREE resources like coloring sheets, games, flashcards, and worksheets for this song and more at If you like this video, check out the Super Simple Songs Playlist featuring dozens of easy-to-teach, easy-to-learn, super fun songs: Thank you very much for watching and sharing ^_^ Video: Copyright 2012 Super Simple Learning® Music & Lyrics: Copyright 2009 Super Simple Learning® We hope you love it! Please let us know what you think. Along the way, we get to learn and review parts of the body (head, nose, hand). As he tries to ice skate, he learns the value of perseverance and teamwork. ) to tell a short story of a snowman brought to life by the magic and beauty of snowfall. But like B Rich, Los’s national success (including a nod from Kendrick Lamar as having the best “Control” response) hasn’t translated to much love back at home he’s not viewed as much of a representative that outsiders may think.Little Snowflake brings together the same team that created the Twinkle Twinkle Little Star video ( His persistence has made him the most well-known artist from the city in recent years. Starting in 2008, after his first deal with Bad Boy fell through, Los, who had been known on the local battle rap scene since the early 2000s, became relentless with dropping mixtapes. A Nicki Minaj diss that went viral helped Keys gain national attention, sparked a response from Nicki, and landed the Baltimore rapper a mini-tour with Lil Kim. Reformed battle rapper Go DDM (now Uncle Lulu of Bond St District) played to the same downtown scene and is locally recognized as the first rapper to come out as gay. Artists like Spank Rock and Soul Canon began speaking to the downtown, hipster scene that is heavily populated by art students. Locally, (now deceased) artist Smash's track "Hypnotized" was the hit of 2008. On the street side, Mullyman's 2009 song "Go Harder" sampled Jay-Z's line "I go harder than Baltimore" from the "Go Hard Remix" track with T-Pain and Kanye West, and the video landed spots on MTV Jams. With the internet’s heightened role in the spread of music, Baltimore rap began to diversify in the late 2000s and early 2010s. Bossman's 2004 Baltimore Anthem "Oh!" landed him a deal with Virgin Records, but nothing seemed to come out of it.
But although he was featured on their video game, Def Jam: Fight For NY, and had a single, “Do Sumptin,” on the soundtrack for the DMX movie Cradle 2 The Grave, Comp never released an album on the label. In the early-to-mid-2000s, Def Jam signed teenage rapper Comp. At that same time, East Baltimore’s Tim Trees was a hometown rap hero with his hit “Bank Rolls,” which resonated due to his of-the-people image and his choice to use legendary Baltimore Club producer Rod Lee as his main contributor.
Ironically, this exposure never made B Rich much of a figure locally his track was a surprise not only to people outside of the city but to those in it as well. It’s not as though Baltimore rap has come out of nowhere, though: Back in 2002, B Rich’s hit “Whoa Now” landed him a deal with Atlantic, a regular countdown slot on 106 & Park, and a spot on the soundtrack for NBA Live 2003. More on VICE: In Baltimore, the Whole Damn System Is Guilty as Hell Not only did the city’s political momentum shift, this renewed energy also has many people believing that a light will finally shine on Baltimore in this time of needed healing. Those protests turned into something larger, bringing attention to the routine injustices that the city’s youth face and demonstrating a choice to no longer wait on empty promises of help to come true. That feeling of being ignored was undoubtedly one of the leading forces behind Baltimore’s uprising back in April, when the city made international news as it protested the police killing of Freddie Gray. Coming from a not-so-major city, it’s easy to carry the burden of thinking where you come from has some sort of unique curse and that no one makes it. Given the city’s place outside of major media and culture hubs, Baltimore is used to feeling neglected.